The saxophonist Wayne Shorter broods, the embryonic soul-star George Benson plays terse guitar, Herbie Hancock debuts the formerly unjazzy Fender Rhodes and Tony Williams drums up a perfect storm. Alongside Sonny Rollins and Thelonious Monk, he reveals it here.Ī patchily intriguing set from the next decade, flagging the ever-changing Miles’ migration from free-swinging jazz to rock. But in the 1940s he had been a teenage trumpet hopeful partnering Charlie Parker and by 1954, when this session was recorded, he had an understatedly personal version of the revolutionary bebop sound. In the end, Miles Davis would fascinate jazz, rock and classical fans alike.
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